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Design & Shop
November 2010
Visual identity of the exhibition Design & Shop at the 2010 Saint-Étienne International Design Biennial. A variant from the original design of Fabrice Gibilaro©, Manu Chandès© & Jean-François Martin©. 2 business cards for each of the 24 designers, 5 invitation cards for the vernissages and layout of the labels and the kakemonos.
Commissaire : Nathalie Arnould
Copyright photo ©Sonia Barcet
Visual identity of the exhibition Design & Shop at the 2010 Saint-Étienne International Design Biennial. A variant from the original design of Fabrice Gibilaro©, Manu Chandès© & Jean-François Martin©. 2 business cards for each of the 24 designers, 5 invitation cards for the vernissages and layout of the labels and the kakemonos.
Commissaire : Nathalie Arnould
Copyright photo ©Sonia Barcet
Labels, 2010 Saint-Étienne International Design Biennial
November 2010
Design of the labels of the 2010 Saint-Étienne International Design Biennial in collaboration with Denis Coueignoux, Laboratoire Integral Ruedi Baur, Paris.
Prediction/Demain c'est aujourd'hui #3/Comfort/Lumière)s(/La ville mobile/Japon/Laponie/Espagne
Design of the labels of the 2010 Saint-Étienne International Design Biennial in collaboration with Denis Coueignoux, Laboratoire Integral Ruedi Baur, Paris.
Prediction/Demain c'est aujourd'hui #3/Comfort/Lumière)s(/La ville mobile/Japon/Laponie/Espagne
Cirque de.
November/december 2010
Exhibition at the 2010 Saint-Étienne International Design Biennial.
The Platine of the Cité du design.
Aware of being part of the show, Collectif de. offers his vision of the biennial through a sarcastic and (self) criticism exhibition: a circus where design is exposed as a show which concentrates 10 designers and iPhones per square meter and where even "la téléportation" (teleporting: general theme of the biennial) becomes the greatest acts.
Exhibition at the 2010 Saint-Étienne International Design Biennial.
The Platine of the Cité du design.
Aware of being part of the show, Collectif de. offers his vision of the biennial through a sarcastic and (self) criticism exhibition: a circus where design is exposed as a show which concentrates 10 designers and iPhones per square meter and where even "la téléportation" (teleporting: general theme of the biennial) becomes the greatest acts.
Design invitation, epase
October 2010
Invitation card in order to invite potential customers to discover Saint-Étienne.
Client : EPASE (Établissement Public d'Aménagement de Saint-Étienne)
Invitation card in order to invite potential customers to discover Saint-Étienne.
Client : EPASE (Établissement Public d'Aménagement de Saint-Étienne)
Happy birthday Collectif de.
March 2010
Collectif de. is 1 ! On the 26th of march 2009, members talked about the collective before an audience at the gallery "If contemporain" in Lyon, for the vernissage of the carpet "Occidorient", by fm. On this occasion, the collective has been shot!
Copyright photo ©Benoit Maharaux.
Collectif de. is 1 ! On the 26th of march 2009, members talked about the collective before an audience at the gallery "If contemporain" in Lyon, for the vernissage of the carpet "Occidorient", by fm. On this occasion, the collective has been shot!
Copyright photo ©Benoit Maharaux.
AA Group, architecture
February 2010
Visual identity of the french architecture agency AA Group. A merger between Arch in Saint-Étienne and Aries in Valence. Logo + stationnary + website
Visual identity of the french architecture agency AA Group. A merger between Arch in Saint-Étienne and Aries in Valence. Logo + stationnary + website
Collectif de.
February 2010
Design of the individual business cards of Collectif de. Handmade printing ! Visual identity of the collective designed by al + fm + hel + fab + jsp and I.
Design of the individual business cards of Collectif de. Handmade printing ! Visual identity of the collective designed by al + fm + hel + fab + jsp and I.
Love, Dom Pérignon
January 2010
Design of a visual, created from words and using the iconic shield of Dom Pérignon for the packaging of Valentine's Day (2010).
Design of a visual, created from words and using the iconic shield of Dom Pérignon for the packaging of Valentine's Day (2010).
The art of vintage
November 2009
Book of an aesthetic odyssey through 20 vintage Perrier-Jouët champagnes since 1825. Each chapter contains recommendations and notes on the vintage, a history of the house of Perrier-Jouët and reflections on the trends in art and women's fashion of the period. Artistic direction of the project, designed in collaboration with Claire Robert. Hard-bound book covered with buckram and hot gilded title + jacket and 20 inserts with shutters. Offset lithography, four-color process + 2 solid colors. 416 pages. English edition. Printed and bound in Italy.
Book of an aesthetic odyssey through 20 vintage Perrier-Jouët champagnes since 1825. Each chapter contains recommendations and notes on the vintage, a history of the house of Perrier-Jouët and reflections on the trends in art and women's fashion of the period. Artistic direction of the project, designed in collaboration with Claire Robert. Hard-bound book covered with buckram and hot gilded title + jacket and 20 inserts with shutters. Offset lithography, four-color process + 2 solid colors. 416 pages. English edition. Printed and bound in Italy.
Pixel table
November 2009
Patterns silkscreen printed on a coffee table created by a contemporary cabinetmaker, Richard Fournier. The approach was to made a "Design for all" and designed for the working young adult wishing to invest in a piece of furniture of quality, having an affordable price. Patterns show a contemporary screen image in contrast with the work of a cabinetmaker. A difference between a modern image and a handmade printing or a contemporary piece of fourniture and a handcrafted making. For more information please contact Richard Fournier here.
Patterns silkscreen printed on a coffee table created by a contemporary cabinetmaker, Richard Fournier. The approach was to made a "Design for all" and designed for the working young adult wishing to invest in a piece of furniture of quality, having an affordable price. Patterns show a contemporary screen image in contrast with the work of a cabinetmaker. A difference between a modern image and a handmade printing or a contemporary piece of fourniture and a handcrafted making. For more information please contact Richard Fournier here.
Rhythms, flow, body. Art and contemporary city
October 2009
Design of a poster, a program and a booklet of 12 pages summarizing the interventions of the conference "Rythmes, flux, corps. Art et ville contemporaine" organized by the Centre Interdisciplinaire d'Études et de Recherches sur l'Expression Contemporaine (the Interdisciplinary Research and Studies Center on the Contemporary Expression) and the Cité du design of Saint-Étienne.
Design of a poster, a program and a booklet of 12 pages summarizing the interventions of the conference "Rythmes, flux, corps. Art et ville contemporaine" organized by the Centre Interdisciplinaire d'Études et de Recherches sur l'Expression Contemporaine (the Interdisciplinary Research and Studies Center on the Contemporary Expression) and the Cité du design of Saint-Étienne.
MP2013
September 2009
Visual identity proposal for Marseille-Provence, European Capital of Culture 2013. Project though with fm , member of collectif de.
Visual identity proposal for Marseille-Provence, European Capital of Culture 2013. Project though with fm , member of collectif de.
Regennessy
January 2009
Design of a logo and a visual identity (patterns and colors) for the packagings of the range Regennessy of the brand Hennessy (cognac). Contemporary Regency style. Design of the packagings and 3D modelling made by the members of collectif de. fab + hel
Design of a logo and a visual identity (patterns and colors) for the packagings of the range Regennessy of the brand Hennessy (cognac). Contemporary Regency style. Design of the packagings and 3D modelling made by the members of collectif de. fab + hel
Thread of words, Cross stitch, diploma project 2008
June 2008
Embroidery kit for a completely holed table where everyone can embroider letters, words or sentences of their choice associated with patterns. A DIY graphic design embroidering to do, undo and redo. Cross Stitch tries to mix traditional skills and modernity, giving again a real sensitive and sentimental touch to the text like textile. As well as to forget about prejudices that every one has about embroidering (old woman's hobby). Published in the issue of Étapes: 161, a french graphic design magazine.
Embroidery kit for a completely holed table where everyone can embroider letters, words or sentences of their choice associated with patterns. A DIY graphic design embroidering to do, undo and redo. Cross Stitch tries to mix traditional skills and modernity, giving again a real sensitive and sentimental touch to the text like textile. As well as to forget about prejudices that every one has about embroidering (old woman's hobby). Published in the issue of Étapes: 161, a french graphic design magazine.
Dissertation, applied arts
April 2008
Book and dissertation on the theme : "text and textile". This dissertation attempts to discuss and understand from where the words text and texile come from. Why is it interesting to work on as a graphic designer ? Illustrated by lots of nowadays design and art creations.
Book and dissertation on the theme : "text and textile". This dissertation attempts to discuss and understand from where the words text and texile come from. Why is it interesting to work on as a graphic designer ? Illustrated by lots of nowadays design and art creations.
Text[ile] experimentation
2008
Graphic design reasearches, between text and textile, for my diploma project.
Graphic design reasearches, between text and textile, for my diploma project.
Study case of a fabric
October 2007
The aim was to show with graphic design patterns how was made the fabric, its specificity.
The aim was to show with graphic design patterns how was made the fabric, its specificity.
Work placement
September 2007
Work placement did at the graphic design agency Trafik , based in Lyon, from july to september 2007.
Work placement did at the graphic design agency Trafik , based in Lyon, from july to september 2007.
The mirror of birds
April 2007
Cd cover for the music identity of Bernard Fort, ornithologist and songwriter. His music mixes electroacoustics songs made from birds songs and real birds songs. This cd cover was designed from the word "landscape" (musical and natural). Fluorescent green cardboard (cover) and fragile paper (poster).
Cd cover for the music identity of Bernard Fort, ornithologist and songwriter. His music mixes electroacoustics songs made from birds songs and real birds songs. This cd cover was designed from the word "landscape" (musical and natural). Fluorescent green cardboard (cover) and fragile paper (poster).
ESDRA, poster, open days 2007
March 2007
Ad poster for the open days at the École Supérieure de Design Rhône-Alpes in 2007, la Martinière-Diderot , in Lyon.
Ad poster for the open days at the École Supérieure de Design Rhône-Alpes in 2007, la Martinière-Diderot , in Lyon.
Illustrations, portraits
2006
A serie of black and white portraits. Black ink and rapidograph Rotring. 10 x 7 cm.
A serie of black and white portraits. Black ink and rapidograph Rotring. 10 x 7 cm.
Flora Commaret
Born in 1984
Coming soon...
Born in 1984
Coming soon...
+33 674 922 990
contact(at)floracommaret.fr
flo(at)collectifde.fr
all right reserved © Flora Commaret
contact(at)floracommaret.fr
flo(at)collectifde.fr
all right reserved © Flora Commaret